This Autumn, ANDREW SCOTT features in SIMON STEPHENS’ adaptation of Anton Chekhov’s masterpiece.
Directed by Sam Yates and designed by Rosanna Vize, VANYA opens at the Duke of York’s Theatre on 15 September running until 21 October.
__Assisted performances:__
Tuesday 3rd October – 7.00pm – BSL Interpreted
Thursday 5th October – 7.00pm – AD Performance
It’s not a joy to watch, though. Scott has umpteen strengths, but being the man of a thousand voices is not one of them. He is, purposely, trading in fine distinctions. Sonia sometimes grasps a red tea towel, Maureen the housekeeper puffs on herbal cigarettes, but mostly we have to keep our eyes peeled and our ears unwaxed. Dishing out diffidence, defiance and despair, everyone comes up subtly different hues of Andrew Scott. You know what’s going on, but you might find yourself hard at work to stay clued in, like a party guest trying to remember everyone’s names.
Admittedly, anyone unfamiliar with Chekhov’s text might be bemused. But everyone will recognise the cadences of longing, disappointment, grief and fragile hope. There’s wry humour, too – in Scott’s depiction of housekeeper Maureen, sucking on a cigarette and watching the family antics with weary indulgence; or wheedling Liam, the self-loathing hanger-on so insignificant to the others that they forget he’s there. Only the moment when Ivan softly sings the Jacques Brel standard If You Go Away feels like an unnecessary indulgence. This is theatre that gets under the skin: remarkable.
2023 | West End |
West End |
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