Debra Messing (Will & Grace) returns to the stage as Ernestine Ashworth, who spends her 17th birthday agonizing over her insignificance in the universe.
Soon enough, it’s her 18th birthday. Even sooner, her 41st. Her 70th. Her 101st. Five generations, dozens of goldfish, an infinity of dreams, one cake baked over a century. What makes a lifetime…into a life?
A writer of "freewheeling ambition" (Charles Isherwood, The New York Times), Noah Haidle makes his Broadway debut with a poignant new play as fearless in scope as it is tremendous in heart.
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Still, much of the play consists of a ticking off of biographical events. By necessity or by design, it is incumbent on members of the audience to find a personal connection to the ups and downs of Ernestine's life. Debra Messing generally has too little to work with, only coming into her own as Ernestine herself comes into her own. The rest of the cast, playing multiple roles, all do what they can with their parts, but mostly they are stuck with one-dimensional attributes, and neither they nor director Vivienne Benesch are able bring them fully to life.
The impressive acting, practical set and tailored direction blend well to tell a story that could easily feel flat and predictable. Vivienne Benesch's direction readily elevates Haidle's script, exploring the emotional and unpredictable time-lapse tale of Ernestine's birthdays over the course of 90 years.
2022 | Broadway |
Roundabout Theatre Company Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2022 | Outer Critics Circle Awards | Outstanding Actress in a Play | Debra Messing |
2022 | Outer Critics Circle Awards | Outstanding New Broadway Play | Birthday Candles |
2021 | Theatre World Awards | Theatre World Awards | Enrico Colantoni |
2021 | Theatre World Awards | Theatre World Awards | Crystal Finn |
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