Academy Award nominee Rachel McAdams stars in the Broadway premiere of MARY JANE, written by Pulitzer Prize finalist Amy Herzog (4000 Miles, the recent Tony-nominated adaptation of A Doll’s House). Captivating, affecting and compassionate, it’s the story of a single mother in an impossible family situation. Faced with seemingly insurmountable odds, Mary Jane relies on unflagging optimism and humor, along with the wisdom of the women around her who have become a makeshift family, to take on each new day. But will inner strength and newfound friendships be enough to see her through? The New York Times calls Mary Jane “the most profound of Herzog’s many fine plays.” And The New Yorker raves, “beautiful and remarkable... Herzog has made theatre that shines.” Directing is the acclaimed Anne Kauffman (The Sign in Sidney Brustein’s Window).
Anne Kaufman, repeating her staging from the play’s earlier NYC incarnation at New York Theatre Workshop, has delivered a beautifully calibrated production that expertly mines its subtleties. Featuring little blatant theatricality other than a stunning scene change (courtesy of Lael Jellinek), it features superb performances from its five-woman ensemble, all but the lead actress playing dual roles. McAdams, like so many film or television performers new to the stage, has difficulty with her vocal projection, making some lines unintelligible. But she’s such a warm, winning presence that your heart instantly goes out to her character who, somehow in the face of her anguish, achieves something akin to a state of grace.
All are rendered in lovely detail by Herzog and the five women of the cast, directed by Anne Kauffman with characteristic attention to the importance of offhand nuance. Information is revealed in a steady drip of medical jargon, bureaucratic obstacles and personal history; the moment-to-moment concerns in Mary Jane are often quotidian. (As a friend once advised the title character: “You’ll still have good days and bad days.”) The world of the play is unblinking but not bleak. Herzog shows the strain of Mary Jane’s situation, but she also succeeds in dramatizing kindness, attentiveness, honesty, connection.
2017 | Off-Broadway |
New York Theatre Workshop Production Off-Broadway |
2024 | Broadway |
Manhattan Theatre Club Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama Desk Awards | Outstanding Lead Performance in a Play | Rachel McAdams |
2024 | Drama League Awards | Distinguished Performance | Rachel McAdams |
2024 | Drama League Awards | Outstanding Revival of a Play | Mary Jane |
2024 | Outer Critics Circle Awards | Outstanding Lead Performer in a Broadway Play | Rachel McAdams |
2024 | Outer Critics Circle Awards | Outstanding Revival of a Play | Mary Jane |
2024 | Tony Awards | Best Direction of a Play | Anne Kauffman |
2024 | Tony Awards | Best Performance by an Actress in a Leading Role in a Play | Rachel McAdams |
2024 | Tony Awards | Best Play | Amy Herzog |
2024 | Tony Awards | Best Sound Design of a Play | Leah Gelpe |
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